Albert Wein, N.A.




painting #8465

Prizes:

Atlantic Terracotta Competition, 1934 Metropolitan Life Insurance Competition, 1938 Municipal AG, NYC, 1938, 1st prize National Academy of Design, 1940-42, 1978-80, 1982, 1983, 1989 Whitney Museum of Art 1945, 1950 Museum of Modern Art 1944, 1951 Architectural League 1942-1946 National Sculpture Society 1941, 1984, 1986, 1988, 1989 Prix de Rome, American Academy, Rome 1947-1948 Tiffany Foundation Fellowship 1949 Huntington Hartford Foundation Fellowship 1955 Libby Dam Competition 1973

Major Exhibitions Salon d’Automne, Paris Metropolitan Museum of Art, NYC Whitney Museum of Art, NYC San Francisco Museum of Art, CA Upstairs Gallery, CA (Retrospective 1971) Palace of Legion of Honor, San Francisco CA Jewish Museum, NY Syracuse University, NY Palm Springs Desert Museum, CA (Retrospective 1970) Architectural League, NYC National Academy of Design, NYC National Arts Club, NYC Pennsylvania Academy of Fine Arts, PA Arts in Architecture, L.A., CA Museum of Modern Art, NYC National Sculpture Society, NY Salmagundi Club, NYC Audubon Artists, NY Canton Museum of Art, OH Sculptor’s Guild, NYC University of Wyoming, WY Grand Central Galleries, NYC (Retrospective 1983)

Accolades

In addition to winning the 1947 Prix de Rome, Wein won every major award given at the National Academy and the National Sculpture Society. In the mid-1950's he was awarded the Tiffany Foundation Fellowship and in the 1980's, as a fully matured artist, he was awarded the Rockefeller Foundation grant in Italy.

In the 1980s he was awarded a Rockefeller Foundation grant for study in Bellagio, Italy. During his illustrious career he won every award that a sculptor could win. Few artists have experimented and been able to marry both the Classicism and Modernism so wonderfully.

His notable and varied exhibition history including the Metropolitan Museum of Art and the Whitney, support the recognition of his unique ability to master the human form in any material, whether it be bronze, wood, or terracotta.

He left behind a legacy of spectacular works that have universal appeal because of his unique ability to forge a union between centuries of artistic style. Gordon Friedlander - friend and former 21st president of the National sculpture society stated eloquently: "Albert's work will live on and will endure. These sculptures have already passed the test of time - the true measure of the worth of all creative people."

complete biography